Kalle Westerling
Humanist first. Digital second. Always hopeful.
Kalle Westerling is a performance scholar and historian. His doctoral research focused on itinerant drag performers around New York and along the Eastern Seaboard in the 1930s as part of a collective art form that brought queerness with them to towns and cities around the area. He has also written on topics ranging from queer indie wrestlers, boylesque and male-identified strippers in neo-burlesque, and the influence of RuPaul’s Drag Race on the livelihood and aesthetics of contemporary New York City drag queens.
Previously, he was the project manager for the NEH-funded project “Expanding Communities of Practice,” aimed at helping to create infrastructure for digital humanities across several higher education institutions across the U.S. He is a member of the Steering Committee of HASTAC, the Humanities, Arts, Science, and Technology Alliance and Collaboratory.
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