The Influence of RuPaul’s Drag Race on the Livelihood and Aesthetics ofNew York City’s Drag CultureKalle Westerling In 1996, cultural critic Julian Fleischer described New York City’s (NYC) drag scene as a unique cultural environment, different and distant from that of female impersonation prevalent in other parts of the country (Fleischer, 1996) . In large parts, that culture had been shaped by RuPaul and her arrival in Manhattan’s drag scene. With the increasing commercial and cultural success of the television show RuPaul’s Drag Race, that environment reached an international audience. Over the past decade of Drag Race on television, I have seen drag shows several nights per week and had countless conversations with performers, witnessing first-hand a changing local culture.
2018
TDR
Discipline and Desire: Surveillance Technologies in Performance by Elise Morrison, and: Dark Matters: On the Surveillance of Blackness by Simone Browne (Review)